At the time, a single bitcoin was worth only $662, and the rapper’s fans could pick up the album for a fraction of that. In total, he pulled in over $400,000. Since then, the value of bitcoin has soared: the price of the cryptocurrency rose as high as $17,000 earlier this month, only to drop under $10,000 in recent weeks. (At the time of writing, bitcoin is now worth a little more than $11,000.) After sitting untouched in his account for years, 50 Cent’s earnings are now worth $7 million to $8.5 million, based on the current fluctuating bitcoin valuation.
It’s only January, but 50 Cent forgetting he had a a fortune in Bitcoin may end up being my favorite tech story of the year.
While some subscriptions clearly aren’t worth the cost to me, others are. The problem is that a bunch of cheap subscriptions add up to a bunch of money.
$11.99 for Netflix for 4 screens + ultra HD
$11.99 for Hulu no commercials
$9.99 for Apple Music
$14.99 for HBO Now
$13.99 for web hosting
$19.99 for Slingplayer
$4.99 for CBS
No one feels like much. Together, they’re nearly $90 a month, or more than $1,000 a year.
Ouch.
We cut the cord on cable a long time ago, and we’re still coming out on top compared to the cost of a cable subscription, but we aren’t getting all of the channels but we never watched all the channels.
That isn’t including the puny bit of patronage I am able pay to my favorite Internet acquaintances, particularly Marco Arment and Brett Terpstra. Shout out to 5by5 as well. They’re great!
Rdio was my jam for a couple of years. A couple of months ago, Spotify offered a cheap deal and I gave it a shot. Now, Apple Music has bebopped into the mix. All three have deep catalogs to fuel a music marathon running in any direction.
Rdio is my favorite of the three, but probably won’t win back the top spot on my devices. The music service does social better than its competition. The app itself wins for its ability to control other versions of the app. By that I mean if a song is playing on my Mac, users can pause or change tracks from their iPhone and iPad or switch to play the track on their mobile device. Discovery is also pretty great. Search for your favorite artists and play a channel of that artist and others like them.
Spotify is more popular than Rdio, at least it seems to have more users. Maybe it’s because I cut my teeth on Rdio, but Spotify’s interface seems confusing to me. The playlists matched to activity is kind of neat, but it isn’t the first one to offer that feature. Songsta has done that for a while, and a new player in the field prominently shares the same sorts of playlists.
Apple Music also offers activity playlists and boasts human curation. It’s also the only service with anything like the DJ-curated Beats 1 Radio.[footnote]Don’t slip up and just call it Beats One. I hope the “online electronic and dance music radio station based in Calgary, Alberta” is taking advantage of any confusion.[/footnote] “Worldwide. Always on.” Curation by real people rather than algorithms is intriguing and helpful. Apple Connect is a huge improvement over the fruit company’s social flop by serving a different purpose than Ping—connecting artists to fans, not fans to fans. I’m still not sure how that will shake out, but so far so good in my opinion. I’ve found some good stuff in Apple Connect. The “For You” tab in Apple Music is another pro. Some of the playlists here have been perfect for me. Again, these are said to be arranged by real human beings who put thought into these lists like the cassette mixtapes of lore.
The problem with Apple Music, at least on the desktop, is that it is still a part of the monstrous digital hub that is iTunes, Apple’s answer to syncing, streaming, and managing apps, devices, podcasts, videos, movies, voice notes, TV shows, iTunes U, and more. There is a lot to deal with, both on OS X and iOS, so it’s confusing at first. I’m willing to learn.
Even with its warts and pain of the birthing process, the curation and deep roots in my digital ecosystem mean Apple Music is going to be my new jam.
